Issue 04






Issue 03






Issue 02






Issue 01









John Akomfrah interviewed by Devika Girish

Olivier Assayas, Cinema in the Present Tense


Rosa Barba on Expanding Cinema and Three Films to Pack for Outer Space


Dodie Bellamy on The Letters of Mina Harker




Diane Burns, Alphabet City Serenade


Ingrid Caven, Air du Rat


Donatella Di Cesare on the Breathing Catastrophe


Kevin Jerome Everson on Filmmaking During the Pandemic




Keegan Fong, Kitchen Sink Soba + TAMPOPO


Carolyn Funk, SHOWINGS


Amy Heller, Cannon Fodder


Armando Hernández, Noches de oscuros: Mexican Horror Obscurities, 1960s–1990s




Jia Zhangke, Downtime & The Long Take


Patrick Keating, Figueroa’s Lines


Ross Lipman, The Archival Impermanence Project, or: Performing Cinema in the Age of the Death of Everything


Sylvère Lotringer: The Man Who Disappeared




László Nemes on Cinema v. Television and the Historical  Draw of Subjective Narration


New Red Order, CULTURE CAPTURE: TERMINAL ADDDITION


Nuke Watch, NWSR


Cecilia Pavón, Galaxy of Three




Adam Piron, Pure Legend: Dispatch from an Incomplete Search for the DeMille Indians


Jennifer Reeder, FROM SUSPIRIA TO SAINT MAUD: 20 Twisted Tales About Wicked Women


Anthony Richmond on One Plus One, Don’t Look Now, Candyman, Tales from the Hood, and 60s Hammer Horror


Emilie Sannom + Itch Princess, Her Fear of Death Was Not So Great




Chef Jazz Singsanong, Thai Pumpkin 3 Ways


Daniel Spaulding, Sayre Gomez: Hilarity Ensues


Ed Steck, The House by the Cemetery / Beyond the Door


Courtney Stephens, The elm, the oak, the deer, and the City of the wicked



Sandi Tan, 10 Soundtracks


Masha Tupitsyn, DECADES: 80s


Penelope Uribe-Abee, Sopa de Fideo, The Kid, and Modern Times


Sophie Weil, Dove Cove’s Halloween Mix




Billy Wilder, The Art of Little Ruses